Tracing Scott Walker’s journey from reluctant 60s teen idol to leftfield dignitary, this award-winning doc should please both neophytes and dedicated champions alike.
They may be nothing more than a tribute band but if so, they re a damn good one. JACK L and his BLACK ROMANTICS have been unanimously lauded for their Jacques Brel-inspired Wax album: The idea was to bridge the gap between Brel and Scott Walker. Now Jack L himself talks to JOE JA
Getting inside the head of one of modern music’s deepest enigmas was both a challenge and a privilege, says documentary maker Stephen Kijak, director of Scott Walker 30 Century Man.
Jack L’s ambitions appear to have shrunk a little in recent times – seemingly resigned to the fact that he’ll never be seen as Ireland’s spiritual heir to Scott Walker (or Tom Waits), he has settled for making records that appeal to folks who find the Divine Comedy a little too feisty. Not necessarily a bad thing: ‘Chocolate Eyes’ is a pretty-but-inconsequential AOR ballad, which contains the telling line “I gave up on dreams / and regrets”. Never fear, Jack – now that you’re aiming lower, you’re actually hitting closer to the mark.
THIS ONE was always going to be an event. Take an award wining actress/singer - one of Germany's leading exponents of Weimar Republicanism and the French chanson tradition - give her a ream of songs by Elvis Costello, Nick Cave, Neil Hannon, Tom Waits, Philip Glass, Bertholt Brecht and Kurt Weill amongst others, assign Joby Talbot the arranging chores, recruit most of The Divine Comedy as house band and allow Scott Walker and Hal Willner to produce a brace of tracks . . .. this writer was halfway sold without hearing a note.
t certainly would, Joe. But you can have a toot on my megaphone if you like! Gavin Friday discusses the finer points of sexual politics not to mention the post-Freudian subtext to his stunning new meisterwork Shag Tobacco with Dr Joe Jackson. Our man in the white coat concluded: Gavin s time has come. But is the world finally read
Cousteau's debut LP finally gets an Irish release, and about bloody time too, Guv'nor. The London-based collective have been clocking up superlatives across the pond like they were going out of fashion, drawing comparisons with everyone from Scott Walker to Tindersticks.
Villagers are a such a fully-formed, unaffected and epic proposition and they don’t so much hint at genius as come with all the verified documentation from the Department of Genius.
IF JULIAN Cope didn't already exist, nobody would've invented him. The spaceman has cometh in many guises over the last 15 years: flight-jacketed Scott Walker obsessive, collector of psychedelic Nuggets and Pebbles, krautrock authority, maggot-brained space cadet and now, modern antiquary - Julian belongs to a long and very zig-zag line of English eccentrics, one that stretches right back from Barrett through Byron to Blake.
Unencumbered by the fickleness of fashion, Jack Lukeman (or Jack L, as he is better known) has carved out his own niche in the melting pot that is music in the '90s. He has left the shade of Brel behind and has followed his own vision, which still has its roots in the romantic balladry of Scott Walker, Nick Cave and Frank Sinatra.
You can count on it happening at least once a year – an album so singular it cuts through arbitrary notions of taste and unites disparate audiences in a brief consensus.
June 6 sees Radiohead's Colin Greenwood and Ed O'Brien spinning old faves, previewing newies and generally making with the conversation on BBC Radio Ulster's Across The Line
Here comes the moment we’ve all been anticipating for the last four years, and the really good news is that the return of the mighty Spiritualized is one to relish.
The late lamented Tindersticks may not be around anymore, but the band’s singer and songwriter Stuart A. Staples still knows how to turn a masterful tune.
Phil Udell meets a Coral disenchanted with their Hotpress review, but gains Brownie points for recognising that they're NOT - repeat NOT - from Liverpool.
Lovely former Longpigs frontman and occasional Pulp guitarist Richard Hawley talks solo albums, Sheffield sauces and swears a lot, before offering a world exclusive on Robbie Williams. Sort of.
Frazer Guided Melodies
TARNATION may make soundtracks to cinematic desert scenes but there s more to Paula Frazer s beautiful songs than a fistful of spaghetti western themes. Interview: Nick Kelly.
Having disbanded the band, the man who is Divine Comedy sets out to make music that makes his soul happy. The reformed jack the lad talks music, memory, marriage and fatherhood with Peter Murphy
Having disbanded the band, the man who is Divine Comedy sets out to make music that makes his soul happy. The reformed jack the lad talks music, memory, marriage and fatherhood with Peter Murphy
A New Jersey-ite Eurocentric who mixes the buttoned-up gravitas of Dusty Springfield and Karen Carpenter with the lush orchestral tapestries of Bacharach and Spector. A Girl Called Eddy’s bohemian rhapsody is well worth acquainting yourself with.
If you’re Randy Newman you’ll also need a piano, some borrowed dominants and lashings of irony. And that’s just for starters. Joe Jackson hears about the private, public and musical lives of one of American music’s most singular talents.
Once he cleaned up in the charts, now he s cleaned up himself. Bruised but unbroken, MARC ALMOND is back and busy on all fronts. And, whisper it, there s even talk of SOFT CELL reforming. Interview: NICK KELLY.
Silence. there is all too little of it. Elevators whimper with muzak, grocery stores boom non-stop consumer announcements , college dormitories wail a grotesque collage of Robbie Williams and The Doors.
For a man who was working in Galway nightclubs and renting damp rooms in dilapidated hotels at the turn of the decade, PERRY BLAKE hasn t done too badly since. After releasing two acclaimed singles for Polydor, he s now set fair to emerge as one of Ireland s brightest new
songwriting talents.
OLAF TYARANSEN hears his intriguing story.
For a man who was working in Galway nightclubs and renting damp rooms in dilapidated hotels at the turn of the decade, PERRY BLAKE hasn t done too badly since. After releasing two acclaimed singles for Polydor, he s now set fair to emerge as one of Ireland s brightest new
songwriting talents.
OLAF TYARANSEN hears his intriguing story.
It’s no rest for the wicket, as Stuart Clark gets bowled over by the DUCKWORTH LEWIS METHOD. Musical odd-couple Neil Hannon and Thomas Walsh explain why they decided to record a musical homage to cricket and talk about hanging out with Blur’s Damon Albarn, the Governor of the Bank of England and Sir Tim Rice.
Our appreciation of Scandinavian bands has, to date, largely been limited to the high profile pop of acts like ABBA and Ace of Base. But, as anywhere, there's usually more to it than that - a generalisation given real meaning by The Opiates' Anywhere.
Having released his debut album to little recognition at home in Ireland. Perry Blake's career unexpectedly gathered momentum in continental Europe. Whilst he remains little more than a cult figure in his native land. These days in France it's all deification by La Monde, movie soundtracks and policy debate with the Culture Minister. "Part of me is thinking, oh fuck I hope it doesn't do a David Gray" Perry Blake.
They blasted into the public consciousness at the end of 2005, when 'I Bet You Look Good On The Dancefloor' became the year's biggest breakthrough No.1. Since then it's been an extraordinary rollercoaster ride for the Arctic Monkeys, with bass player trouble, celebrity fans, EastEnders appearances and a row with fellow newcomers The Feeling to show for their efforts. Oh, and then there's the small matter of shifting nearly two million copies of their debut album...
The days of pop dominance are over. The worm has turned, and a whole new slew of blood and guts rock and roll bands are coming through with records that carry more than a hint of greatness. The darkling posse is headed by the Kings Of Leon – but there are outfits from all over the world who will be vying for poll position over the coming 12 months.
Music journalist-turned-publicist KEITH ALTHAM has spent more than 35 years behind the scenes with the likes of The Who, Rolling Stones, Small Faces and Van Morrison. His new book reveals (almost) all. Interview: GEORGE BYRNE.
What links Richard Harris with Linda Ronstadt, Art Garfunkel with The Supremes, and Frank Sinatra with er, Ghost Of An American Airman? Why, the music of Jimmy Webb, of course, one of the most widely-respected songwriters of all-time. Here he talks to JOE JACKSON about his friendship with Richard Harris, his encounters with Elvis and his deep-rooted love of Irish music.
Watching David Bowie on television recently one couldn't help but think of Neil Hannon. Not that he is a musical "chameleon"—to use the phrase most often applied to Bowie—but he does seem to be a person more comfortable presenting to the world a series of ever-changing poses designed to conceal rather than reveal his "real self", as in vocally situating himself somewhere between Barry White and Prince on the magnificent Charge, or satirising—while still relishing—his role as the eponymous sexist hero in Becoming More Like Alfie. Strangely enough, Neil confesses that he was thinking something similar while watching Bowie being interviewed
The big time came knocking but Jack L said, "No thanks, I’d rather do my own thing." In a revealing interview, he explains why he’d rather be an underground star and tells of how melancholy gets him out of bed every morning.
Bristolian trip-hop may be somewhat far off the Zeitgeist but new Virgin signings Ilya manage to fuse the sound of their coven with both a timeless London cool and classic arthouse charm.
A new album, an exclusive gig and opinions on Velvet Goldmine, the Internet and life, love and happiness. STUART CLARK meets the legendary DAVID BOWIE.
The lavish cover art says it all. Almond casts himself as a 21st century troubadour adorned with diamonds and pearls. The tone is lavish and luxurious, but thankfully Marc resists the temptation of totally re-inventing himself in uncomfortable futuristic clothes.
Whatever happened to...? Though they never had the notoriety of the Pistols or the street spirit of the Clash, the Stranglers were one of the finest bands to emerge from the punk maelstrom of the late '70s, able to develop from ear-bashing anger terrorists with guitars, to the dark balladeers who gave us the cautionary tale that was 'Golden Brown'.
Sex & Death & Rock 'n' Roll
With The Divine Comedy's new album Casanova, the dreamily romantic Neil Hannon has come over all carnal. "I felt I had to get an awful lot of real shit out of my system", he tells Niall Crumlish. "Sometimes you've got to get a bit scummy".
Think about direction, wonder why . . . It’s eleven years since Stano released his debut album Content To Write In I Dine Weathercraft. Despite his genuine originality and dedication to his art over the intervening years, he remains one of Ireland’s most enigmatic performers, more appreciated on the continent than in his homeland. Interview: Joe Jackson
IT WAS straight out of Reservoir Dogs. Six men, all in black, most in suits, lope onto the stage, a cigarette nestling between fingers or dangling from
the side of the mouth. You half-expect them to open with 'Stuck In the Middle With You' and drag out a member of the Garda Siochana from the side
of the stage with a gag in his mouth and the contents of an extra-large can of Castrol GTX dripping from his fettered uniform.
Foburg, a concept album of sorts, features sections of Flannery’s Mounted Head, the song-cycle with visual elements he premiered last year in Cork, as part of the city’s European Capital of Culture celebrations.
Johnny Ray invented rock ’n’ roll. Elvis Presley marked the beginning of the downfall of popular music. The Beatles only ever wrote one great song. Cranky stuff maybe, but when the speaker is Tony Bennett – the man Sinatra called “The best singer in the business” – you have to listen. Joe Jackson does and, in this exclusive interview, hears how a Jewish-Italian New York kid grew up to be a musical legend, a respected painter and a man who, at 67, can still kick ’90s rock off MTV.
IN THE FIRST PART OF A WORLD EXCLUSIVE INTERVIEW IN THE LAST ISSUE OF HOT PRESS, BONO UNVEILED THE NEW U2 ALBUM, SPOKE ABOUT ITS GENESIS IN CYBERPUNK LITERATURE AND THE BAND'S HUNGER TO PUSH ROCK'N'ROLL TO ITS LIMITS. HERE HE ELABORATES ON HOW U2 GO ABOUT WRITING THEIR SONGS AGAINST THE BACKGROUND OF GLOBAL CHAOS, HIS ARTISTIC REFERENCE POINTS OUTSIDE MUSIC, THE SUBVERSIVE POWER OF HUMOUR, AND HOW HE ADMIRES THOSE WHO 'PARTICULARLY AGGRESSIVELY' DON'T BELIEVE IN GOD. AND THEN THERE'S THE STORY ABOUT JOHNNY CASH AND THE EMU. CAN THIS MAN BE FOR SURREAL? INTERVIEW:JOE JACKSON.
We asked the fans to vote for U2's Greatest Hits and they did - in their thousands. The result is a selection of 20 tracks which, without doubt, would combine to produce a record to rank among the weightiest and most powerful anthologies in the history of rock. The full track listing is not without its controversial selections and omissions, however. Bill Graham and Niall Stokes take us through the fans' vision of the fab four's dream album.
In Auckland, it was punk rock, gang wars, heroin and prostitution. In Cavan, it s rolling countryside, a recording studio in a church and more dogs than you could throw a stick for. It s been a long way from there to here for BRENDAN PERRY, the former partner in Dead Can Dance who now has a solo album on release.
Interview: NICK KELLY. Pix: CATHAL DAWSON.
Hotpress hitch a ride on the Wilt tour bus for the band’s whistle-stop tour of Europe. For tales of on-stage abandon, backstage debauchery and bizarre drumming accidents, read on. Plus Cormac Battle’s tour diary
Fermanagh is a county that s accommodated a rake of musical traditions both past and present. Split by the sibling lakes of Upper and Lower Lough Erin, Fermanagh s musical identity is as diverse as her geography, to the extent that at times there s little or no crossover in musical style from north to south of the county and vice versa.
With the Doors-like ‘White Women’ opening with the line, “You know I want to bone you” followed by “Fuck fuck me baby” it’s obvious that former Moldy Peach Adam Green hasn’t quite abandoned his penchant for puerile adolescent humour.
If I make impossible demands of The Divine Comedy, it’s the fault of Absent Friends. The album of the year set the bar for the gig of a lifetime. (For which title it would have to go toe-to-toe with Dexys miraculous gig in Vicar St. last November.)
The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
From A to Z, Paul Nolan and Ronan Fitzgerald introduce all the runners and riders for Punchestown – throwing in a baker’s dozen of acts who are not to be missed* along the way
As the punk revolution took hold in the UK, Manchester was notable for the bleak, industrial soundtrack even its most successful bands were making. But that all changed with the explosion there of a new and hedonistic culture, centred in and around The Hacienda, a club run by the city's most influential music biz entrepreneur, the boss of Factory Records, TONY WILSON. The story of the transformation of the city into the centre of rock'n'roll's emerging drug and club culture – of the change from Manchester to Madchester – is told in 24 Hour Party People. With the Happy Mondays as it primary musical focus, there's no shortage of on-screen drugs and fighting – but this is really the extraordinary saga of one of the great rock'n'roll towns, in all its gory glory… Tara Brady reports
They love Ireland and Ireland loves them. As the Arcade Fire ramp up for world domination, the band talk about love, death, war and making music in churches.
You'll probbly know Jacques better as Anthony Reynolds, leader of moderately acclaimed also-rans Jack, who released a couple of valuable records on the Too Pure label in the mid-to-late nineties.
Swansong For You is the second ‘solo’ album of string-soaked and heart broken love songs from Isobel Campbell, cellist and songwriter with Belle and Sebastian.
IF ANYONE deserves to be a fabulously wealthy rock star, it's Cathal Coughlan. For the past 15 years, he's churned out classic after classic, with nary a hint of a high-maintenance blonde, a spell in tax exile or a week in the Priory.
For the members of Blur, success has seemed to be something of a burden over recent years. While he was still a member of the band, Graham Coxon released a series of, ahem, ‘difficult’ solo albums.
With something of a renaissance having taken place in the Dublin independent scene over the past few years, now seems as good a time as any to bring ourselves fully up to speed with the sounds emanating from the Belfast underground.
Baz Luhrmann’s forthcoming musical is set in the 19th century, features classic songs from the 20th and was made in the 21st. A lot of big names – Bowie, Beck, Bono – have been co-opted to make this soundtrack more interesting than your average movie tie-in.
From revisionist war dramas, to wrenching documentaries to a musical starring that ginger bloke out of The Frames, the Jameson Dublin International Film Festival has something for everyone. Yes, even for you.
OR, IF you prefer, a very long album about love.
69 Love Songs does exactly as it says on the tin – it’s a 3CD set of pop sonnets by workaholic wonderboy Stephen Merritt, originally conceived as a 100-song revue to be performed by a cast of singers in the hotel bars and cabaret spots of New York.
There is no question about it. He may look as if he's been dipped in a bottle of red ink but it is Adam who stands there bollock naked before the camera and the world on the back sleeve of the latest, long playing opus from the band whose name begins with U and ends with 2. And is that Eve who hovers topless behind Bono on the front?
Yes, the incessant downpour ensured that Punchestown Racecourse often looked more like the set of a World War 1 epic than a music festival, but the rain couldn't dampen the 80,000-strong Oxegen crowd's spirits, not to mention the fiery performances delivered by Arctic Monkeys, Franz, The Who, the Chili Peppers and a cast of, well, hundreds.
